Neumann USM69i
Neumann U89i
Neumann U87AiProduction Room Analogue Collection News
The Production Room Analogue Collection has just had another classic addition. A Moog Prodigy in full working order but looking a little over worked. Still, remembering that this baby is 27 years old it is not surprising!
Moog Prodigy
The Moog Prodigy was a synthesizer produced by Moog Music from 1979 to 1984. Of the 11,000 produced, versions released after 1981 included a control voltage/gate input on the back that allowed the VCF of the filter to be triggered and controlled by an external source. These later versions began at serial number 4160. The official model number of the instrument is 336. 336A would indicate a domestic (US) model, while a 336BX would indicate an export unit.
The Prodigy featured two VCO's (Voltage Controlled Oscillators), one with a sawtooth waveform, a triangle waveform, and a rectangle waveform, the second with a sawtooth, a triangle, and a square waveform. These waveforms could be detuned up or down by more than a fifth of an octave, allowing for the creation of thick pads as well as atonal sounds. The two oscillators could be sync'ed as well, then altered using the pitch wheel (in sync mode, the pitch wheel would alter the tonality of the sound, not the pitch. Roaring synth leads were made possible using this feature.)
The Prodigy was capable of a full range of synthetic sounds, from a gentle whistle or flute in the upper ranges, to sub-level bass (a sub oscillator allowed for very deep lows.) The VCA (voltage controlled amplifier) was controllable only via the ADR, a type of envelope generator made popular in earlier synths like the MiniMoog (ADR means attack-decay/release-sustain.) The Prodigy did not feature a white noise or pink noise generator.
The LFO (low frequency oscillator) of the Prodigy featured a triangle and square waveform could be routed to the VCO or VCF to create pitch or filter modulation effects. [1]
The Moog Source, which began production in 1981, featured internal workings very similar to the Prodigy in a much sleeker physical design that featured programmability, arpeggiator/sequencer and white noise.
It inspired the name of British electronic band The Prodigy whilst recording their first album. The band's frontman, Liam Howlett, is known to have used the synthesizer in some of the songs he made at the beginning of the 1990s.
Users
It has been used by many other artists such as:
- Massive Attack
- The Prodigy
- Howard Jones
- Depeche Mode
- Blur
- The Album Leaf
- Fatboy Slim
- Kontour (Some Bizzare Records)
- 808 State
- Sturm Cafe
- The Get Up Kids
- Reggie and the Full Effect
- Nine Inch Nails
- The Anniversary
- The Hippos
- June State Residential
- Astral Projection
- Moloko
- Tegan and Sara
- Offlaga Disco Pax
- Der Blutharsch
- VIA ORIZONT