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Archive for October, 2011

Jake Gosling recording No.1 artists with sE Mics

Monday, October 31st, 2011

From sEElectronics.com: Jake Gosling Studio Essentials

Jake Gosling is a music producer, songwriter, remixer and manager best known for his work with artists such as Wiley and Ed Sheeran. In this interview, Jake talks to sE about his studio essentials including his vast sample library and his sE Electronics Z3300a, sE4400a and sE1a microphones.

sE Endorsee: Jake Gosling
Occupation: Music Producer, Songwriter, Remixer & Manager
Artists: Ed Sheeran, Wiley, Mark Ronson, Timbaland, Lady Gaga, Justin Timberlake
Mics/gear: sE4400a pair, sE Z3300a, sE1a pair, sE Stand 1

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Engineer Jake Jackson on Genelec and the London 2012 Olympic Games

Wednesday, October 26th, 2011

httpv://www.youtube.com/watch?v=81NsJa0sUZc&feature=share

Jake Jackson is a freelance engineer working out of AIR Studios in North London – he has extensive credits in film and television music, and won the 2011 MPG Breakthrough Engineer of the Year award. Recently Jake completed work recording and mixing all 201 national anthems for the London 2012 Olympic Games.

As part of his MPG Award win, Jake was awarded a pair of Genelec 8240A DSP Monitors (visible in the background of this video), his thoughts on which he shares in this video.

For more information contact Production Room on 0113 246 7985or email info@production-room.com.

Genelec Studio Monitors in action with Nightwish!

Wednesday, October 26th, 2011

httpv://www.youtube.com/watch?v=Fi2p8Flelo8

Originating from Eastern Finland like the world famous Genelec studio monitors, Nightwish is one of the most popular rock bands in the world with 6 albums selling millions of copies all over the globe. This video is filmed during the recording session of the upcoming Imaginarium album (and movie!) when the band was at Petrax studios in Finland, naturally with a set of Genelec DSP active loudspeakers on the mixing console. In the interview Tuomas Holopainen and Marco Hietala talk about composing, studio work and recording sessions in multiple locations – what works for them. Behind the desk the world renowned mixing engineer Mikko Karmila takes care that everything is stored according to the highest standards. Enjoy!

Nightwish at Genelec Professionals:http://www.genelec.com/professionals/nightwish

For more information contact Production Room on 0113 246 7985or email info@production-room.com.

The Thing about Nosaj

Wednesday, October 19th, 2011

Thanks to Apogee Electronics for this:

The Thing about Nosaj

Recent Projects: Kid Cudi, The xx, Charlotte Gainsbourg & Beck

Nosaj Thing’s offbeat and hypnotic electronic music reminds us what it is that makes experimental music deserving of its name. At 26, the Los Angeles-native- also known as Jason Chung- uses his DJing and musical background to create beats that are as experiential as they are cinematic. Currently on the road with his Apogee Duet 2 playing gigs across The United States, Nosaj’s mobile rig is up to par and as reliable as he needs it to be, night after night.

“Even when I’m home and I’m in my studio, I want to be surrounded by things that make me feel comfortable.”

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Focusrite: Nik Kozub uses his ISA428

Friday, October 14th, 2011

Nik Kozub is a bass player, songwriter, engineer and producer, who plays with Shout Out Out Out, a dance punk group whose lineup of two drummers and four bassists is unusual, to say the least. “We play primarily electronic music, with a strong focus on analog synthesizers. While I do generally mix in the box, I like to run a lot of analog effects in my mix for character and a bit of murkiness.”

Despite his love for lo-fi, getting a clean signal for the wide variety of sources he has in the studio is of the utmost importance, and Nik chose an ISA428 for main tracking purposes, “It frankly just sounds great. The pres are clean, but not sterile by any stretch, and you can really change their tonal color a lot with the switchable impedance. I am also a huge fan of the sweepable high pass filter. It is really, really smooth and musical, and allows me to filter while I track very intuitively using my ears, saving me time in the mixing process. I track a lot of analog synths and drum machines through the ISA pres, and they absolutely excel in this role, my synths sound meaty and full, and I find it very easy to get my synths to sit well in the mix.”

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